Beethoven -《弦乐四重奏全集》(String Quartets)Amadeus Quartet

中文名称：弦乐四重奏全集
英文名称：String Quartets
资源类型：APE
版本：Amadeus Quartet
专辑歌手：贝多芬 Beethoven
地区：德国
语言：德语
简介：


Performer: Amadeus Quartet

专辑介绍：

阿玛迪斯弦乐四重奏团（Amadeus Quartet）是二十世纪最伟大的四重奏团之一。该四重奏团于1947年在英国成立，由三位因为二战流亡到英国的维也纳音乐家——小提琴家Norbert Brainin、Siegmund Nissel，中提琴家Peter Schidlof与英国大提琴家Martin Lovett组成。阿玛迪斯弦乐四重奏团以擅长演奏维也纳乐派，如莫扎特、海顿、贝多芬、舒伯特的作品闻名于世，几乎成为此类作品演奏的典范。英国作曲家布里顿曾将其第三号弦乐四重奏题献给该团。

阿玛迪斯弦乐四重奏团的演奏保持着欧洲贵族的高贵、典雅、自然、脱俗的风范，演奏从来不会勉强和突兀，更不会做作。他们非常讲究室内乐，尤其是弦乐四重奏的那种默契的配合，第一小提琴Norbert Brainin在行内可以说德高望重，但是他们的演奏从来不会突出哪个演奏者，四位演奏者在音色、分句、节奏的处理可以说达到水乳交融的境界。他们在组成的时候约定，如果他们四位有哪位离开了，这个重奏团不会换人，以保持他们合作的高度的默契性。果然，中提琴家Peter Schidlof在1987年去世后，阿玛迪斯弦乐四重奏宣告解散，转向教学，现在他们的大师班，是每一位室内乐演奏者梦寐以求的学习机会。对乐迷来说，曾经象呼吁歌星复出那样等候他们重新组合，但是他们一直信守着成立时候的诺言。“阿玛迪斯”可能是现在唱片上最红的那些弦乐四重奏团里，唯一没有更换过成员的。“阿玛迪斯”可以说代表着弦乐四重奏的一个境界，在他们之后，已经没有可以超越他们的重奏团了。

在唱片上，“阿玛迪斯”的代表作就是他们在DGG公司录制的贝多芬弦乐四重奏全集的录音。记得笔者在观摩著名的弦乐四重奏专家丁芷诺教授的贝多芬四重奏的大师班后，问丁教授，她认为贝多芬四重奏最全面和最具代表性的录音是哪套，她的回答是：“Amadeus！”。贝多芬弦乐四重奏演奏的难度实在是太大了。笔者以前认为，一个钢琴演奏家在录音的那个阶段是很难把贝多芬全套钢琴奏鸣曲每一首都弹得最好，一个人在一个特定的时候是很难把另外一个人的一生都诠释得最得体，总会带上演奏者自己的色彩与观点。而弦乐四重奏的时间跨度和表现的幅度，比钢琴奏鸣曲尤甚。一个四重奏团几乎是不可能把每一个方面都做得最好的，尤其是晚期的四重奏，每个演奏团之间的演绎差别更是相当大。每个重奏团都有自己的长处和短处，不同的演奏在诠释的效果上是互补的。这也是为什么乐迷需要有多个贝多芬的弦乐四重奏的多个版本的原因之一。

如果说哪个录音在各个方面都是最全面和平衡的，那就是阿玛迪斯这一套。录音的时候，正是阿玛迪斯最成熟的时期，演奏的成熟和默契已经到达完美的境界。贝多芬四重奏的演奏需要有严谨认真的处理和舒展括达的表现，很多四重奏团的演奏要么带有是堆砌般的匠气，要么带有过度的谨慎，极少有四重奏团的演奏在这两者之间取得一个很好的平衡，阿玛迪斯四重奏团、布什四重奏团就属于是这些少数。“阿玛迪斯”在早期的四重奏不乏青春浪漫气息，中期的更见成熟与厚重，晚期的恬静括达。而他们在作品的横向和纵向的处理都是非常平衡，音色纯和统一，速度、音响动态的处理具有很强的说服力，作品结构的表现清晰自然。

DGG公司在70年代模拟时期的录音也已经是一个顶峰，他们录音的风格平衡自然清晰，比起很多不平衡，故意夸张某些部分的所谓的发烧录音要好不知道多少。笔者主观的认为，DGG在上世纪六七十年代的录音比起同期的Decca，RCA，COLUMBIA的录音还要好。这套四重奏的录音非常好，音色、泛音、定位、层次、动态等等都是一流的。这套录音一直从来没有在DGG的目录消失过。但是随着版次的增加，效果好像越来越差。就CD的版本，笔者听过效果最好的是厚装的顶价7CD套装，记得当年在中图公司的售价高达800多元，笔者曾经发狠要买下它，狠了几次也没那钱。这个版次的CD除了音色稍微有点生硬，高频的泛音稍微不及LP通透，其余的都相当好。而现在在目录上的那套收藏系列的简装CD，声音单薄了许多，音色越发生硬，阿玛迪斯混厚醇和的发音打了折扣。如果光听这套CD，是不能准确了解阿玛迪斯的艺术魅力。幸好，当年的LP产量较大，二手的产品中可以挑到品相不错，价格可以接受的。

如果要笔者只选一套贝多芬弦乐四重奏的唱片，就是这套阿玛迪斯。(摘自魔术号角)

关于贝多芬弦乐四重奏音乐的详细介绍请参阅My Webpage


专辑曲目：

Disc: 1
1. String Quartet In F Major, Op. 18 No. 1: Allegro con brio
2. String Quartet In F Major, Op. 18 No. 1: Adagio affettuoso ed appassionato
3. String Quartet In F Major, Op. 18 No. 1: Scherzo. Allegro molto
4. String Quartet In F Major, Op. 18 No. 1: Allegro
5. String Quartet In G Major, Op. 18 No.2: Allegro
6. String Quartet In G Major, Op. 18 No.2: Adagio cantabile - Allegro - Tempo I
7. String Quartet In G Major, Op. 18 No.2: Scherzo. Allegro
8. String Quartet In G Major, Op. 18 No.2: Allegro molto quasi Presto
9. String Quartet In D Major, Op. 18 No.3: Allegro
10. String Quartet In D Major, Op. 18 No.3: Andante con moto
11. String Quartet In D Major, Op. 18 No.3: Allegro
12. String Quartet In D Major, Op. 18 No.3: Presto

Disc: 2
1. String Quartet In C Minor, Op. 18 No. 4: Allegro ma non tanto
2. String Quartet In C Minor, Op. 18 No. 4: Scherzo. Andante scherzoso quasi Allegretto
3. String Quartet In C Minor, Op. 18 No. 4: Menuetto. Allegretto
4. String Quartet In C Minor, Op. 18 No. 4: Allegro - Prestissimo
5. String Quartet In A Major, Op. 18 No. 5: Allegro
6. String Quartet In A Major, Op. 18 No. 5: Menuetto
7. String Quartet In A Major, Op. 18 No. 5: Andante cantabile. Thema - Variationen I-V - Coda. Poco Adagio
8. String Quartet In A Major, Op. 18 No. 5: Allegro
9. String Quartet In B Flat Major, Op. 18 No. 6: Allegro con brio
10. String Quartet In B Flat Major, Op. 18 No. 6: Adagio ma non troppo
11. String Quartet In B Flat Major, Op. 18 No. 6: Scherzo. Allegro
12. String Quartet In B Flat Major, Op. 18 No. 6: La Malinconia. Adagio - Allegretto quasi Allegro

Disc: 3
1. String Quartet In F Major, Op. 59 No.1: Allegro
2. String Quartet In F Major, Op. 59 No.1: Allegretto vivace e sempre scherzando
3. String Quartet In F Major, Op. 59 No.1: Adagio molto e mesto - attacca
4. String Quartet In F Major, Op. 59 No.1: Theme russe. Allegro
5. String Quartet In E Minor, Op. 59 No.2: Allegro
6. String Quartet In E Minor, Op. 59 No.2: Molto Adagio. Si tratta questo pezzo con molto di sentimento
7. String Quartet In E Minor, Op. 59 No.2: Allegretto
8. String Quartet In E Minor, Op. 59 No.2: Finale. Presto

Disc: 4
1. String Quartet In C Major, Op. 59 No.3: Introduzione. Andante con moto - Allegro vivace
2. String Quartet In C Major, Op. 59 No.3: Andante con moto quasi Allegretto
3. String Quartet In C Major, Op. 59 No.3: Menuetto. Grazioso - attacca:
4. String Quartet In C Major, Op. 59 No.3: Allegro molto
5. String Quartet In E Flat Major, Op. 74 'Harp': Poco Adagio - Allegro
6. String Quartet In E Flat Major, Op. 74 'Harp': Adagio ma non troppo
7. String Quartet In E Flat Major, Op. 74 'Harp': Presto - attacca:
8. String Quartet In E Flat Major, Op. 74 'Harp': Allegretto con Variazioni

Disc: 5
1. String Quartet In F Minor, Op. 95: Allegro con brio
2. String Quartet In F Minor, Op. 95: Allegretto ma non troppo - attacca:
3. String Quartet In F Minor, Op. 95: Allegro assai vivace ma serioso
4. String Quartet In F Minor, Op. 95: Larghetto espressivo - Allegretto agitato
5. String Quartet In E Flat Major, Op. 127: Maestoso - Allegro
6. String Quartet In E Flat Major, Op. 127: Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo
7. String Quartet In E Flat Major, Op. 127: Scherzando vivace - Presto
8. String Quartet In E Flat Major, Op. 127: Finale
9. Great Fugue In B Flat Major, Op. 133: Overtura. Allegro - Fuga:
10. Great Fugue In B Flat Major, Op. 133: Meno mosso e moderato
11. Great Fugue In B Flat Major, Op. 133: Allegro molto e con brio
12. Great Fugue In B Flat Major, Op. 133: Meno mosso e moderato
13. Great Fugue In B Flat Major, Op. 133: Allegro molto e con brio
14. Great Fugue In B Flat Major, Op. 133: Allegro

Disc: 6
1. String Quartet In B Flat Major, Op. 130: Adagio ma non troppo - Allegro
2. String Quartet In B Flat Major, Op. 130: Presto
3. String Quartet In B Flat Major, Op. 130: Andante con moto, ma non troppo
4. String Quartet In B Flat Major, Op. 130: Alla danza tedesca. Allegro assai
5. String Quartet In B Flat Major, Op. 130: Cavatina. Adagio molto espressivo - attacca:
6. String Quartet In B Flat Major, Op. 130: Finale. Allegro
7. String Quartet In C Sharp Minor, Op. 131: Adagio, ma non troppo e molto espressivo - attacca:
8. String Quartet In C Sharp Minor, Op. 131: Allegro molto vivace - attacca:
9. String Quartet In C Sharp Minor, Op. 131: Allegro moderato - attacca:
10. String Quartet In C Sharp Minor, Op. 131: Andante, ma non troppo e molto cantabile - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto
11. String Quartet In C Sharp Minor, Op. 131: Presto - Molto poco adagio - attacca:
12. String Quartet In C Sharp Minor, Op. 131: Adagio quasi un poco andante - attacca:
13. String Quartet In C Sharp Minor, Op. 131: Allegro

Disc: 7
1. String Quartet In A Minor, Op. 132: Assai sostenuto - Allegro
2. String Quartet In A Minor, Op. 132: Allegro ma non tanto
3. String Quartet In A Minor, Op. 132: Heiliger Dankgesang eines Genesenden an die Gottheit, in der lydischen Tonart. Molto adagio - Neue Kraft fuhlend. Andante - Molto adagio - Andante - Molto adagio. Mit innigster Empfindung
4. String Quartet In A Minor, Op. 132: Alla marcia, assai vivace - Piu allegro - attacca:
5. String Quartet In A Minor, Op. 132: Allegro appassionato
6. String Quartet In F Major, Op. 135: Allegretto
7. String Quartet In F Major, Op. 135: Vivace
8. String Quartet In F Major, Op. 135: Lento assai e cantante tranquillo
9. String Quartet In F Major, Op. 135: Der schwer gefaBte EntschluB. Grave (MuB es sein?) - Allegro (Es muB sein!) - Grave, ma non troppo tratto - Allegro